Jon Udell interviews Bill Crow about HD Photo
- Posted: Apr 02, 2007 at 10:19 AM
- 11,961 Views
- 5 Comments
Loading User Information from Channel 9
Something went wrong getting user information from Channel 9
Loading User Information from MSDN
Something went wrong getting user information from MSDN
Loading Visual Studio Achievements
Something went wrong getting the Visual Studio Achievements
Right click “Save as…”
July 31 2007: Update from Bill Crow:
This is a pretty exciting day for all of us working on HD Photo. Today, the Joint Photographic Expert's Group (JPEG) announced a new work item for the standardization of a HD Photo as a new file format called JPEG XR (XR is short for "extended range".) You can read the full details in the Microsoft press release here and the JPEG press release here. (Go ahead and check it out; we'll wait here.)
For the last five years, Bill Crow has been working on HD Photo, a new image file format that's intended to supplant the JPEG format currently at the heart of the digital photography ecosystem.
I first met Bill many years ago when he came to BYTE to show us HP NewWave, which was probably the earliest effort to produce an object-oriented file system for Windows -- originally, believe it or not, for Windows 1.0. The connection between NewWave and HD Photo is tenuous, but it does exist in the sense that the metadata strategies we're seeing today (see the truth is in the file) point the way toward ending the tyranny of the hierarchical file system.
Today's podcast begins by revisiting NewWave, but it's mostly about HD Photo: Why it was created, how it works, what it will mean to both amateur photographers ("happy snappers") as well as pros, and how it will be standardized and baked into a next generation of digital cameras.
Along the way I learned a huge amount about the current state of digital photography. For example, I knew that pros prefer to shoot in RAW format, but I wasn't clear what that meant. According to Bill, a RAW image is just sensor data from a high-end camera, which photo processing software later turns into an image. The professional photographer trades away convenience for control and flexibility. In the case of the JPEG images produced by the vast majority of digicams, though, it's the other way around. We get usable images without any fuss, but we give up the ability to reinterpret the data. HD Photo aims for the best of both worlds: ultimate control and flexibility if you desire, convenience when you don't.
Although Bill guesses we're two years away from commercial HD Photo cameras, the format is being used today to support Photosynth. As he explains on his blog, a compressed Photo HD image has a regular structure that makes it possible to extract images at various levels of detail without decoding the entire image.
There's a whole lot more to the story. I hugely enjoyed this conversation, and I think you will too.