Posted By: Charles | Mar 2nd, 2007 @ 1:06 PM | 50,146 Views | 22 Comments
On May 4th, 2006, Steve Ball invited Robert Fripp back to the Microsoft campus for a second full day of work on Windows Vista following up on his first visit in the Fall of 2005.   This time we get an even deeper glimpse into the creative process as the Windows Product team continued to refine their search for melodies, rhythms, and orchestrations that could become the new Windows Vista startup sound. 

Before the session, Steve Ball, Jenny Lam, and Jim Allchin gave Fripp a demo of the most recent Windows Vista builds and reviewed the goals for the product and the sound.  The purpose of this session was to search for textures, melodies, and orchestrations for a sound that could

   a) brand Windows in a timeless way 
   b) ‘work’ with the Pearl Animation
   c) be gentle, positive, uplifting, translucent
   d) embody the AERO design principles

This 63 minute Vista Week video begins mid-stream with some extremely rare footage of Fripp Soundscapes being created in real time.  This is followed by Q&A from the Windows product team members in the Soundscapes audience, an overview of Fripp’s gear, and some details about the recording equipment used at Microsoft Studios.  This is then followed with another rare and intimate interview with Fripp and members of the core team working on Windows Vista UX.
  

This single session resulted in over six hours of multi-channel raw tracks including hundreds of melodies, textures, soundscapes, and orchestrations.  After this session, it took another three months of orchestration, iteration, remixing and refinement to select the final four seconds that became the final Windows Vista startup sound:  a “glassy” Fripp melody, a harmony by Steve Ball, and a “Win-dows Vis-ta” rhythm contributed by composer, Tucker Martine.  This all on top of a brief Fripp Soundscape that fades out as the user lands on the Windows Vista log-on screen.   The flowing Soundscape ‘textures’ from the session also inspired the sonic  palette that was used for the default Windows Vista sound scheme.
      

Like the previous Fripp video, this is a very different kind of Channel 9 video.  Fripp talks candidly with us about music, his approach to creativity, making music for Windows Vista, shares his thoughts on Vista, and much more.  


About Robert Fripp: for close to forty years, Robert Fripp has been a world-renowned pioneer driving innovation in both music and technology.   For more details about his history and recent work, check out Fripp's web site!

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jsampsonPC
jsampsonPC
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All I need is a couple hours of this on my iPod...this stuff is beautiful.

I never realized how much Jenny and Tjeerd where involved in the audio part of the UX.

I'd love to see what kind of sounds the members of Mùm would create for an OS.

Steve Ball is a calm reflective person, in a marketing type person kinda way. He's a bit too "slick" for C9 videos Smiley

RidiculousX
RidiculousX
i dont go to school and i still live with my mom
Wow, good stuff. Sounds nothing like a guitar.
Chadk
Chadk
excuse me - do you has a flavor?
Is this video old?

Theres a scoble interview in it. Is he back to C9, or?
Chadk
Chadk
excuse me - do you has a flavor?
Charles wrote:

Chadk wrote: Is this video old?

Theres a scoble interview in it. Is he back to C9, or?


This was shot in May '06...
C

Oh i see.
Whats the reason for not pushing this video out before now? Big Smile
Minh
Minh
WOOH! WOOH!
This is a great revelation into one particular aspect of Vista that I find inspirational. I get to see the people who try to put "soul" into Vista. But the thing about the Vista audio experience is...

There is NO Vista audio experience.

The various system sounds are much too short & too generic (all applications share the same sounds) to be emotional. The much talked-about start-up sound, while interesting, doesn't make enough of an appearance to be noticed. I don't reboot my computers anymore. I simply close my laptop, causing it to go to sleep, to be awaken (not rebooted) later.

I think that an audio experience was planned, but it can only come from the applications themselves (the shows), not the O/S (NBC). I'm guessing that it got cut so that Vista can make its release date.

I'm hopping to see all the hard work seen here makes it into the next version of Windows, Vienna.
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