I'd just like to thank Bill and the typography team. I've been using Reader first on an Axiom (similar to one he briefly showed off back in the walk around the campus video) and then later I upgraded to the same HTC phone / PDA that he briefly showed off in the video here.The ability to have MS Reader and all the associated readability elements is probably the only thing that has allowed me to actually keep reading anything other than, well TechNet basically.I never knew how, but something about reading books on Reader has always just been as natural as reading an actual book. It’s absolutely fascinating to hear about all the research that went in to achieving that experience.
Thank you. Your work is very much appreciated.
Bill suggested an interview with Greg Hitchcock. Is any one at Channel 9 heading over to him to hear about hinting fonts?
Hi. Bill Hill here."Manotype" is my new C9 username. For some reason I couldn't sign on to my previous account so I created a new one.
I'll make sure the issues you point out with Japanese Windows UI conflicts with some parts of the UI being in Meiryo, while others are not, are passed on to the relevant folks in Windows.Glad you like Meiryo. It was built by the usual suspects -us. I managed the group that did it and personally argued (in a very civilized way) with Bill Gates to get it funded, arguing that although it was a lot of money for a single font project, we (the ClearType and Readablity Research team) would use it as a testbed to develop new technology which could be used to improve Simplified and Traditional Chinese and Korean as well. Typographers Geraldine Wade and Mike Duggan in the ClearType team did a lot of work. Geraldine managed the project and did a fantastic job. Greg Hitchock was another big contributor. We worked with a Japanese font company, (C&G, if my memory serves me right - which it often doesn't these days!), a tremendous Japanese type consultant called Eichii Kono - and Matthew Carter again. One of the big issues with previous Japanese fonts was that they required hundreds of thousands of hand-tuned bitmaps. making one used to be a 50 man-year job. We developed new technology to use TrueType hinting, so the bitmaps are created on the fly and are truly scalable.Matthew and Eichii worked together to solve another problem with East Asian fonts, which is that mixed Kanji and Latin characters looked terrible. In the first lace, the Latin characters themselves were always awful. Matthew, using the Verdana work, and Eichii, worked to integrate the Verdana glyphs with the Kanji and harmonize the way they worked together.The project was a huge success. We completed it under budget and on time, in under 18 months (thanks to Geraldine!), and the new Chinese and Korean fonts in Vista used the same hinting technology.